If you need more information or help with your e-ticket, please get in touch. The film is only available to UK audiences. Please note that the unique code can only be used once. Access to the film and MUBI lasts for seven days after the unique code is activated. Use these to view the film on MUBI between Friday 12 May and Sunday 1 August. The approximate start times for screenings of the full film are:Īs well as viewing the film in the exhibition at the Hayward Gallery, ticket holders can watch it online via the film streaming platform MUBI.Ī unique code and link is included on the exhibition e-tickets, which are emailed to ticket holders after purchase. The exhibition Matthew Barney: Redoubt includes a feature-length film, Redoubt (2018 134 mins). Matthew Barney: Redoubt is generously supported by Sadie Coles HQ, Barbara Gladstone Gallery, Cockayne – Grants for the Arts and the London Community Foundation, J&M Donnelly, MUBI and Regen Projects, Los Angeles. Wild animals were filmed in their natural habitats. Trained animals were provided by professional handlers, who monitored their safety and the conditions on set. All hunting scenes in Redoubt were staged using special effects. Redoubt includes scenes portraying dead animals and the hunting and shooting of wildlife. The Hayward Gallery exhibition is curated by Senior Curator Dr Cliff Lauson, with Assistant Curator Katie Guggenheim and Curatorial Assistant Alyssa Bacon. Matthew Barney: Redoubt was originally organised by the Yale University Art Gallery. The large-scale sculptures are cast from the burnt remains of trees from the region.īarney combines traditional casting methods and digital technology to create artworks of formal and material complexity that reflect on the story told in the film. The etchings featured in the exhibition were produced on location. The work has not been screened in New York since 2015, and its return coincides with the concurrent run of Secondary, a new moving image work from Barney that will be on public view in his Long Island City studio from 12 May to 25 June.Barney explores the dynamic relationship between humanity and the natural world, and the role of artistic creation. Named after the muscle that controls testicular temperature response, The Cremaster Cycle’s ambitious, interdisciplinary approach feels as bold and fresh today as it did upon at the time of the first film’s release nearly 30 years ago. The Cremaster Cycle put Barney on the cultural map in the 1990s, challenging and arresting viewers with its sumptuous visuals and ambitious, often macabre subject matter, ranging from sexual development to Celtic mythology to the act of creation itself. Matthew Barney and writer Maggie Nelson, literary critic and author of The Argonauts, will have a conversation at Metrograph on 4 June following a screening of Barney’s re-mastered early works. Cremaster 2 (1999) will screen the week of 30 May, and the three-hour Cremaster 3 (2002) will show the week of 5 June. The American conceptual, video, performance artist’s Cremaster Cycle series (1994-2002)-a five-part aesthetic storytelling system that was constructed over the course of a decade- will screen in its entirety across several weeks beginning 17 May.Ĭremaster 1 (1995) and Cremaster 4 (1994) will screen as a double bill on 17 May at 7pm, and Cremaster 5 (1997) will screen on 23 May at 7pm. This month, New York-based entertainment company Metrograph will be showcasing the work of Matthew Barney at its Lower East Side cinema.
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